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๐—ง๐—ต๐—ฒ ๐—ข๐—น๐—ฑ ๐— ๐—ผ๐—ฟ๐—ฟ๐—ถ๐˜€ ๐—ฆ๐˜๐—ฎ๐—บ๐—ฝ ๐—ฆ๐—ต๐—ผ๐—ฝ

๐˜ฃ๐˜บ ๐˜”๐˜ข๐˜ณ๐˜ฌ ๐˜—๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฆ



The frosted glass of the front door bore the name of the shop in an arch of large, gothic letters: THE OLD MORRIS STAMP SHOP.

Below, in smaller print, it readโ€”L.Q. Obadiah, proprietor.


A tiny bell tinkled as Martin Bascomb entered. He stood for a moment and looked around. The room was filled with glass display cases exhibiting stamps from all over the world. Further examples of philatelic variety were hung in frames on the walls. A curtain at the back led to another room. Mr. Obadiah was busy with a customer and did not look up as Martin entered.


โ€œPerhaps you might be interested in the 1847 Ben Franklin,โ€ said Obadiah. โ€œIt is a very beautiful stamp. Note the skill of engraving.โ€


Martin waited patiently while the two men discussed the stamp. The customer finally made his purchase and left.

Martin stepped up to the counter. It was a long, glass display case with a cash register at one end. The aging shopkeeper looked up at Martin and smiled. He was a small man somewhere in his mid-sixties to mid-seventies, with curly gray hair and smooth, feline movements. At first glance he appeared normal, but there was something disquieting about the shrewd eyes and cynical smile. It was almost, but not quite, a smile of familiarity; almost, but not quite, as if he had been expecting Martin.


โ€œGood afternoon, sir,โ€ he said. โ€œHow may I be of service to you?โ€


โ€œAre you Mr. Obadiah?โ€


โ€œI am.โ€


โ€œIโ€™m Martin Bascomb. A friend suggested I come see you.โ€


โ€œVery good,โ€ said Obadiah. โ€œIโ€™m sure we can find something to interest you. Is this for a personal collection, or are you primarily interested in stamps as an investment?โ€


โ€œNeither,โ€ said Martin; he glanced around. โ€œIโ€™m more interested in what youโ€™ve got in the back room.โ€


โ€œAh,โ€ said Mr. Obadiah, his face suddenly alert. โ€œYou want a real value.โ€


He went to the front door, locked it, and pulled the shade.


โ€œCome with me,โ€ he said.


He led Martin into the back. It was a small, cramped room, filled with filing cabinets. The only illumination came from a single bare bulb in the middle of the ceiling. Martin noticed that each drawer had the name of a different country on it.


โ€œI have so many treasures from so many beautiful places,โ€ said the ancient proprietor. โ€œGreece, Spain, China. Perhaps you have a favorite?โ€


โ€œNot especially.โ€


โ€œThe Mediterranean? . . . South America? . . . France, perhaps?โ€


He opened the drawer marked FRANCE and took out a small envelope with a clear, plastic front. It contained a single stamp.


โ€œYes,โ€ he said, enthusiastically. โ€œI believe this is the one for you.โ€


He motioned Martin back to the main room of the shop. Martin went to the front of the counter as Mr. Obadiah walked behind it. He handed Martin the envelope.


โ€œThat will be two hundred dollars.โ€


Martin was startled. โ€œTwo hundred dollars for a stamp?โ€


โ€œThatโ€™s the price,โ€ said Mr. Obadiah. โ€œI wonโ€™t bargain. Iโ€™m not a salesman, Iโ€™m a proprietor. If you are not interested in my wares, Iโ€™m certain you can find other novelties in other establishments.โ€


โ€œNo, no. Thatโ€™s okay,โ€ said Martin. He pulled the money from his pocket and handed it to him. โ€œIt just better be worth it.โ€


Mr. Obadiah looked deeply at him. โ€œIโ€™ve never had any complaints.โ€


Martin exited the shop. He walked down the street, looking at the stamp.


โ€ข โ€ข โ€ข


The Philatelic Appraisals office was on the second floor of a modern building on Colfax. Martin did not have to wait long for his answer.


โ€œIโ€™m sorry, Mr. Bascomb,โ€ said the man. โ€œThereโ€™s nothing remarkable about this stamp. Itโ€™s a common French issue, worth about a quarter.โ€


Martin grumbled a quick โ€œthank youโ€ and left the office.


โ€ข โ€ข โ€ข


At a little after ten-thirty that morning, shouting could be heard from the apartment of Lenny Hudson.


โ€œYou set me up!โ€ shouted Martin, grabbing Lenny by his shirt and shoving him against the wall. โ€œYou and that old man set me up!โ€


โ€œNo, Martin, wait. Let me explain.โ€


โ€œStart talking.โ€


โ€œThatโ€™s not an ordinary stamp.โ€


Martin pulled Lenny away from the wall, then slammed him back into it. โ€œYouโ€™re lying. I had it examined by an expert.โ€


โ€œYou donโ€™t understand. First you have to put it on an envelope. Here, let me show you.โ€ He got an envelope from his bureau. โ€œGive me the stamp.โ€


Martin handed it to him. Lenny licked it and pressed it onto the envelope.


โ€œNow write your name on it,โ€ he said.


Martin growled: โ€œWhat is all this?โ€


โ€œPlease, Martin, just do it.โ€


Martin wrote his name. โ€œNow what?โ€


โ€œNow we mail it.โ€


Martin grabbed him.


โ€œNo, Martin, no!โ€


Martin slammed him against the wall. โ€œYou think I spent two hundred bucks to mail a letter to myself?!โ€


โ€œNo, wait! Youโ€™ve got to mail it. Itโ€™s the only way itโ€™ll work.โ€


โ€œItโ€™s the only way whatโ€™ll work?โ€


โ€œI canโ€™t explain it. You just have to see for yourself.โ€


โ€œAll I see is, Iโ€™m out two hundred bucks.โ€


โ€œListen, Martin, letโ€™s go out right now and mail the envelope. If youโ€™re still mad afterwards, Iโ€™ll pay you the two hundred.โ€


โ€œAll right,โ€ said Martin. He shoved Lenny out the door. They descended the stairs, Martin holding tightly onto Lennyโ€™s arm. They exited the building. Martin forced him along the street until they came to a mailbox; they stopped.


โ€œSo what do I do now?โ€


โ€œJust drop it in.โ€


Martin frowned. โ€œDonโ€™t you think youโ€™ve carried this con far enough?โ€


โ€œPlease, Martin, just drop it in.โ€


Martin turned to the box and inserted the envelope.


A feeling of vertigo seized him as the scene abruptly changed. He was on a platform, very high, and his dizziness made him sick. He clutched onto a metal railing in front of him. It was some time before he realized that he was on the observation deck atop the Eiffel Tower. His face was pale. It was impossible to tell if it was from the height, the trip, or both. The city of Paris stretched out far below him.


Martin looked at his hand. He was holding the envelope. He felt his way to the elevator. The other tourists believed him to be drunk and moved out of his way. He gripped the wooden handrail as the compartment descended. His eyes were closed tight.


โ€œItโ€™s got to be a dream,โ€ he kept telling himself. โ€œItโ€™s got to be a dream.โ€


The elevator hit bottom. If it was a dream, Martin thought, it showed no signs of ending soon. He got off the elevator and walked along, holding the envelope.


โ€œMaybe itโ€™s hypnosis,โ€ he said. โ€œMaybe that crazy old man is a hypnotist. Or drugs. Maybe there was a drug on the stamp.โ€


He sat on a wooden bench on the boulevard.


โ€œThe thing of it is,โ€ he moaned, โ€œhow do I get home?โ€


Early that evening, his forlorn figure could still be seen wandering the streets of Paris. Pedestrians moved aside for the strange man who muttered to himself and glowered at the piece of paper in his hand.


Early the next morning, Martin awakened on a bench along the Left Bank of the Seine. He needed a shave and his clothes were wrinkled. He was suddenly struck by an idea. He wondered why it had not occurred to him before. He pulled out his cell phone and punched out a number. His only hope was that reality still existed, and that Lenny would answer his phone.


โ€œLenny!โ€ he shouted when the voice answered at the other end.


โ€œWhat did you do to me? Iโ€™m in France!โ€


โ€œCalm down, Martin,โ€ said Lenny.


โ€œCalm down?! Iโ€™m in France, youโ€”โ€ He used a phrase which even Lenny had seldom heard.


โ€œItโ€™s all right, Martin,โ€ he said. โ€œI just forgot to tell you how to get back.โ€


โ€œThatโ€™s an important part to forget, Len!โ€


โ€œDonโ€™t worry. Itโ€™s very simple. All you have to do is write RETURN TO SENDER on the envelope and drop it in any mailbox.โ€


โ€œReturn to Sender,โ€ Martin repeated. โ€œAny mailbox. This had better work.โ€


He shut off the phone.


He wandered around until he found a hotel, then borrowed a pen from the desk clerk and wrote RETURN TO SENDER on the envelope. There was a mailbox just outside. Martin stood in front of it, holding the envelope in his hand. He looked at the sky as if muttering a silent prayer, then dropped it in.


The same feeling of dizziness engulfed him. A moment later, he found himself back at the box where he had originally mailed the letter. This time it did not reappear in his hand. Apparently it was only good for a single round trip.


Lenny was not surprised when Martin banged on the door of his apartment.


โ€œTalk to me,โ€ said Martin after Lenny let him in.


โ€œI donโ€™t know how to explain it,โ€ said Lenny. โ€œI only know that it works. Iโ€™ve taken trips to Spain, Switzerland, Greece.โ€


Martin began to pace. โ€œThis is incredible. I was actually in France. Ten minutes ago, I was in France. This guy runs his funny little shop selling stamps in the front room, and in the back, he hands out miracles at two hundred bucks a pop. Do you know that this means? Do you know what you can do with a gimmick like this?โ€


โ€œSure,โ€ said Lenny. โ€œYou can travel anywhere in the world for a few hundred bucks and see anything you want.โ€


Martin glowered at Lenny contemptuously. โ€œThatโ€™s why youโ€™ll never be anything more than small time,โ€ he said. โ€œYouโ€™ve got no imagination. Iโ€™m not talking trips, Iโ€™m talking Taj Mahal. You can make a fortune off a thing like this.โ€


โ€œHow?โ€


โ€œNever mind how.โ€ He headed for the door. โ€œNext time you see me, Iโ€™ll be a wealthy man.โ€


โ€ข โ€ข โ€ข


Mr. Obadiah was dusting off some display cases when Martin entered.


โ€œBack so soon?โ€ he said with a twinkle in his eye. โ€œI trust you were satisfied with your stamp?โ€


โ€œMore than satisfied.โ€ Martin went over to him. He leaned across the counter and lowered his voice. โ€œHow do you do it, old man? Is it magic, or what?โ€


Mr. Obadiah smiled. โ€œThatโ€™s a trade secret.โ€


โ€œNever mind,โ€ said Martin. โ€œJust give me another. Iโ€™ve got the cash right here.โ€


Obadiah frowned in thought. โ€œI seldom have a client purchase another stamp so soon.โ€


โ€œBut itโ€™s okay, isnโ€™t it? I mean, itโ€™ll still work, wonโ€™t it?โ€


โ€œYes, it will still work.โ€


โ€œThen youโ€™ll sell me one?โ€


The old man hesitated. He looked long and hard at Martin. โ€œI suppose it will be all right.โ€


He went to the door, locked it, pulled the shade, and led Martin into the back.


โ€œWhat will it be this time?โ€ he said. โ€œMorocco? Tibet?โ€


โ€œEngland,โ€ said Martin.


โ€œVery well. England.โ€


He pulled out the stamp and motioned Martin back to the front of the store. Martin paid for the stamp and left.


Two days later, Martin stood in front of a mailbox. He had already applied the stamp to an envelope and written his name on it. He hesitated, then dropped it in.


The inevitable vertigo seized him, and he found himself standing in the heart of London. Double decker buses, bobbies, the Tower of London. Martin looked around to get his bearings, then placed the envelope into his pocket and started to walk. It was a beautiful day, and he was in no hurry. He eventually stopped into a quaint little shop and bought a large canvas satchel. He pulled out the envelope and wrote RETURN TO SENDER across its face.


The Bank of London was a large, imposing structure of classic design. Martin paused in an alley across the street. He took a gun from his pocket and checked to make sure it was loaded. He slipped it into his coat pocket, crossed the street, and entered the bank.


He ran out a few minutes later, his satchel filled with money.


He ran around the side of the building. He could hear shouts and the patter of feet behind him. A mailbox was just ahead. Martin rushed up and inserted the envelope.


A flash of vertigo, and he was back in the United States. He opened the bag of money. It had successfully made the trip. Martin closed the bag, stood still a moment, then looked around and laughed.


He was safe.


He smiled and sauntered off.


โ€ข โ€ข โ€ข


Lenny looked up when he heard a knock at his door. โ€œCome in,โ€ he said.


Martin entered. He wore an expensive, tailored pearl gray suit and carried a walking cane.


โ€œMartin!โ€ Lenny exclaimed. โ€œYou look great.โ€


Martin lifted his arms and turned. โ€œLike it?โ€


โ€œItโ€™s terrific.โ€


โ€œI told you next time you saw me Iโ€™d be a wealthy man.โ€


โ€œHow did you do it?โ€


โ€œThatโ€™s my secret.โ€ He pulled a wad of bills from his pocket and tossed it up and down. โ€œHave you ever seen so much money in all your life?โ€


โ€œNever.โ€


โ€œAnd thereโ€™s plenty more where this came from.โ€


โ€œSay, Martin,โ€ Lenny wheedled. โ€œWhy not cut me in? Weโ€™ve been friends a long time.โ€


โ€œNo chance,โ€ said Martin. โ€œThis is my own, private gold mine. I just came in to show off my new suit and tell you I probably wonโ€™t be seeing you much anymore. I quit my job today. Iโ€™m moving uptown. A couple more trips like the one I made yesterday, and Iโ€™ll be able to live like a king the rest of my life.โ€


He bowed his head by way of valediction and walked out.


He found Mr. Obadiah sitting behind the counter, going over his books.


โ€œWeโ€™re closed,โ€ said Obadiah.


Martin smiled. โ€œThis wonโ€™t take long. I just came for one of your specials.โ€


โ€œI told you weโ€™re closed. Youโ€™re going to have to leave.โ€


โ€œWhat is this?โ€ said Martin. โ€œIโ€™m one of your best customers. Look here, Iโ€™ve got my two hundred bucks all ready.โ€


โ€œIโ€™m not going to sell you any more stamps,โ€ said Obadiah. โ€œI know what you did in England.โ€


โ€œI donโ€™t know what youโ€™re talking about.โ€


Mr. Obadiah did not respond. Martin reached across the counter and grabbed him by the shirt.


โ€œListen, old man, youโ€™re going to give me one of your specials, or Iโ€™m going to tear you apart.โ€


โ€œMy foot is on the alarm,โ€ said Obadiah. โ€œIf you do not leave my shop immediately, I will have the police here in a matter of moments.โ€


Martin let him go. โ€œIโ€™ll be back.โ€


He exited the shop.


โ€ข โ€ข โ€ข


Late that night, Martin waited across the street. The stamp shop was the only business still open on the block. The lights went out, and Mr. Obadiah came out of the building. He locked the door and walked away.


Martin crossed the street. He carried a rock which he had wrapped in a hand towel. He knocked a hole in the frosted glass, reached through, unlocked the door, and entered.


He moved quickly through the room. It was dark. He tripped on something but did not fall. He went into the back room, opened a drawer, and grabbed one of the stamps. A sound on the street outside caused him to panic, and he ran out the back. A moment later, he was hurrying toward his apartment.


He did not recognize the writing on the stamp when he examined it later, but no matter. He loaded his gun, addressed the envelope, and set out.


โ€ข โ€ข โ€ข


The hole in the window of the Old Morris Stamp Shop was quite noticeable. Three policemen were with Mr. Obadiah. Two were examining the premises, the third was questioning him and taking notes.


โ€œYou say you first noticed the burglary when you came to open up this morning?โ€


โ€œThatโ€™s right.โ€


The officer made a notation in his book. โ€œWhat time was that?โ€


โ€œAbout seven-thirty.โ€


โ€œAny idea who might have done it?โ€


โ€œIt could have been anyone,โ€ said Mr. Obadiah. โ€œStamps are a valuable commodity.โ€


โ€œHave you had a chance to estimate the loss?โ€


โ€œYes,โ€ said Obadiah. โ€œIโ€™m only missing one item.โ€


โ€œJust one?โ€


โ€œYes, but itโ€™s very valuable. Very rare. A Signum Tabula.โ€


โ€œA what?โ€


โ€œSignum Tabula,โ€ he said. โ€œIt was a stamp used to seal documents in ancient Rome.โ€


โ€ข โ€ข โ€ข


Martin walked the grimy, dirt road, totally baffled by the people he saw around him. They spoke strangely and stared at him as he passed. He nervously fingered the gun in his pocket. The envelope was clutched tightly in his hand.


โ€ข โ€ข โ€ข


โ€œIf itโ€™s really that rare,โ€ said the officer, โ€œwe shouldnโ€™t have any trouble locating the culprit. Weโ€™ll catch him as soon as he tries to fence it.โ€


โ€ข โ€ข โ€ข


Two Roman centurions approached Martin. Their expressions were hard.


โ€œTu quis es?โ€ the first said. โ€œDic nobis quis es.โ€


โ€œIโ€™m sorry,โ€ said Martin. โ€œI donโ€™t know what youโ€™re saying.โ€


The soldier became severe. โ€œDic nobis quis es!โ€


โ€œI donโ€™t know what you want,โ€ Martin moaned.


โ€œVenire nobiscum!โ€


They grabbed Martin by his arms. He drew his gun.


โ€œLet me go!โ€ he shouted.


In the struggle to pull himself free, he dropped the gun in the dirt.


โ€œYou canโ€™t do this to me!โ€ he cried. โ€œObadiah! What have you done to me?!โ€


The centurions dragged him off. He waved the envelope in the air.


โ€œIโ€™ve got to mail a letter!โ€ he screamed. โ€œThereโ€™s got to be someplace I can mail a letter!โ€


The envelope blew from his hand. It was crushed beneath the sandal of a centurion who trod indifferently across it.


โ€ข โ€ข โ€ข


โ€œNo, officer,โ€ said Mr. Obadiah. โ€œIโ€™m afraid Iโ€™m just going to have to take the loss. I seriously doubt we will ever hear from that thief again.โ€


โ€ข โ€ข โ€ข


A last plaintive cry could be heard from Martin Bascomb as he was dragged away. โœฆ





Mark Pearce is an author/playwright whose stories have been published in national magazines and plays produced on the New York stage and around the country. He was formerly Resident Playwright of the New Ensemble Actors Theater of New York, and his play Asylum is listed in the Burns/Mantle Theater Yearbook: The Best Plays series. He resides in the Denver-metro area and has lived in Arizona, Texas, and briefly, Greenwich Village, while one of his plays was being produced Off-Broadway. He loves cross-country road trips, and his favorite activity is to sit in darkened theaters and watch characters come to life which had previously existed only in the privacy of his own mind.


Speculative fiction & POETRY ZINE
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